Silent Film

La mirada documental a la realización cinematográfica en A Girl’s Folly (Maurice Tourneur, 1917)

Film Studies / Film Theory / Film Analysis / Silent Film / Documentary Film / Silent Cinema / Early and Silent Cinema / Silent Cinema / Early and Silent Cinema

William Dudley Pelley y la ideología nazi en The Light in the Dark (1922), de Clarence Brown: la documentación histórica como herramienta indispensable para el análisis del film

Film Studies / Film Analysis / Silent Film / Film History / Silent Cinema / Clarence Brown

Maurice Tourneur y el ocaso de la figura del director-productor en el Hollywood de 1920

Film Studies / Silent Film / Film History / Classical Hollywood / Silent Cinema / Early Film / Maurice Tourneur / Early Film / Maurice Tourneur

Nintendo y el humor (visual)

Visual Studies / Game studies / Film Studies / Comedy / Humor / Video Games / Film Genre / Silent Film / Comparative Media Studies / Humor Studies / Slapstick / Comunicación Audiovisual / Video Game Genres / Video Games / Film Genre / Silent Film / Comparative Media Studies / Humor Studies / Slapstick / Comunicación Audiovisual / Video Game Genres

L\'evolució del mischief gag en els films d\'Alice Guy a la Gaumont, 1896-1907

Visual Studies / Film Studies / Comedy / Humor / Silent Film / Film History / Cinema / Early Film / Comunicación Audiovisual / Alice Guy / Film History / Cinema / Early Film / Comunicación Audiovisual / Alice Guy

Reseña de \"Segundo de Chomón. El cine de la fascinación\" (JM Minguet)

Catalan Studies / Film Studies / Silent Film / Early Cinema / Film History / Cinema / Spanish cinema (Film Studies) / Comunicación Audiovisual / Slapstick Animation / Cinema / Spanish cinema (Film Studies) / Comunicación Audiovisual / Slapstick Animation

Louise Brooks: la creación del estrellato cinematográfico extemporáneo a través de los propios escritos sobre cine.

Film Studies / Silent Film / Film History / Classical Hollywood / Silent Cinema / German Expressionist Film / German Film / Louise Brooks / German Expressionist Film / German Film / Louise Brooks

Actas II Simposio Iberoamericano de estudios comparados sobre cine y audiovisual: perspectivas interdisciplinarias. Debates del cine y la historia

Silent Film / Cinema and History / Modern Cinema / The New Latin American Cinema

‘Escenas de la vida de santa Teresa’ (Francisco Beringola, 1926): El primer biopic cinematográfico sobre Teresa de Jesús

Silent Film / Biopic / Santa Teresa de Ávila / Literary Biopics / Biopics / Cinema and Television / Santa Teresa de Jesús / Cinema and Television / Santa Teresa de Jesús

Aportaciones historiográficas y estéticas a propósito de la co-autoría fílmica de The Last of the Mohicans (1920), de Maurice Tourneur y Clarence L. Brown

Film Studies / Film Theory / Film Analysis / Silent Film / Film History / Cinema / Film Aesthetics / Classical Hollywood / Film / Hollywood / Silent Films / Clarence Brown / Maurice Tourneur / Cinema / Film Aesthetics / Classical Hollywood / Film / Hollywood / Silent Films / Clarence Brown / Maurice Tourneur

“El cine científico en la Argentina de principios del siglo XX. Entre la educación y el espectáculo”.

Silent Film / Early Cinema / Latin American Cinema / Argentinean cinema / Cinema and Education / Pre-Cinema/Early Cinema / Early Latinamerican Cinema / Early Argentine Cinema / Early Argentinean Cinema / Silent Latinamerican Cinema / Silent Argentinean Cinema / Scientific Cinema / Pre-Cinema/Early Cinema / Early Latinamerican Cinema / Early Argentine Cinema / Early Argentinean Cinema / Silent Latinamerican Cinema / Silent Argentinean Cinema / Scientific Cinema

Poemas cinematográficos. Chaplin, los surrealistas y el decorado de la belleza moderna

Comparative Literature / French Literature / Aesthetics / Film Studies / Film Theory / Literature and cinema / Poetry / Surrealism / Silent Film / Poetics / Cinema / Film Aesthetics / Aesthetics (Film Studies) / 20th century Avant-Garde / Poetry and Poetics / Cinema Studies / Charles Chaplin / Modern French Poetry / Charlie chaplin / Literatura Francesa / Literatura Comparada / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / Dadaism & Surrealism / Surrealism and film / Chaplin clown / Surrealismo Francês / French Surrealism Litterature / Surréalisme, Littérature, Esthétique / Dada and Surrealism / Existentialism, Absurdism, Surrealism / Chaplin / Surrealismo / Vanguardia / Surrealist Cinema / Poesia francesa / Poesia Francese Contemporanea / Literature and cinema / Poetry / Surrealism / Silent Film / Poetics / Cinema / Film Aesthetics / Aesthetics (Film Studies) / 20th century Avant-Garde / Poetry and Poetics / Cinema Studies / Charles Chaplin / Modern French Poetry / Charlie chaplin / Literatura Francesa / Literatura Comparada / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / Dadaism & Surrealism / Surrealism and film / Chaplin clown / Surrealismo Francês / French Surrealism Litterature / Surréalisme, Littérature, Esthétique / Dada and Surrealism / Existentialism, Absurdism, Surrealism / Chaplin / Surrealismo / Vanguardia / Surrealist Cinema / Poesia francesa / Poesia Francese Contemporanea

\"La masificación del cine en Chile 1907-1932. La conflictiva construcción de una cultura plebeya\" (portadas e índice)

Cultural History / Media Studies / Censorship / Film Studies / Media History / Silent Film / Early Cinema / Film History / Chile / Spectatorship / Social History / Censorship (History) / Cinema / Silent Film / Early Cinema / Film History / Chile / Spectatorship / Social History / Censorship (History) / Cinema

La carne traidora. El espacio onírico como escenario de la maldad en la cinta pornográfica silente \"El sueño de Fray Vergazo\"

Silent Film / Dreams / Pornography

- Obras Maestras Del Cine Mudo 1918 - 1930 PDF

Literature and cinema / Silent Film / Cinema / Classic Cinema

El explicador español a traves de su reflejo cultural

Spanish Cinema / Silent Film / Film History / Silent Cinema / Pre-Cinema/Early Cinema / Film Culture / Moving Pictures Lecturer / Film Culture / Moving Pictures Lecturer

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